In a summer defined by flops, catastrophes, and movies that are counting breaking even as a win—but also a summer that delivered a billion-dollar-plus grand slam that was actually deserving of that success—the summer of 2013 will be remembered as the summer that the studio tent pole started to fail. Not the summer in which it died, that won’t happen until at least 2015, but when we look back this will be the summer we point to and say, “Right there. That’s when audiences got over the blockbuster”. There’s a rush to declare What Went Wrong in summer 2013, so here’s my contribution to that conversation: Blockbuster is not a genre. “Blockbuster” is the title given to a movie so good everyone runs out to see it, regardless of genre.Continue reading “Best Summer Movie of 2013: The World’s End”
Ugh Kick-Ass 2
I really loved Kick-Ass, especially its tween psychopath/heroine Hit Girl and its subversive take on superhero culture. But Kick-Ass 2 was a slog to get through, both boring and inane, and in an unintentionally ironic turn, it glorifies precisely the kind of violence the first movie made so ugly and brutal. Well I suppose it was unintentionally ironic, simply because I cannot imagine someone missing the point of Kick-Ass so badly—it wasn’t exactly subtle. But writer/director Jeff Wadlow (Never Back Down) failed to see the burning car on the side of the road and drove Kick-Ass 2 directly into the flaming pile of shit before him.Continue reading “Ugh Kick-Ass 2”
Sharlto Copley double feature: Elysium and Europa Report
I adore South African actor Sharlto Copley (District 9). I don’t understand why he isn’t in every movie. I would just cast him in everything and call it a day (wishful thinking: Sharlto Copley for Ant-Man). After a three-year drought following The A-Team, Copley is back with not one but two whole movies this summer: Neill Blomkamp’s District 9 follow-up Elysium and the found-footage sci-fi thriller Europa Report (now available on demand). I decided to make a double feature of it because they’re both sci-fi movies starring Sharlto Copley. Short review: Yes to both but manage your expectations going in.Continue reading “Sharlto Copley double feature: Elysium and Europa Report”
Blackfish: Portrait of a (serial) killer whale
Early childhood dislocation trauma.
Routine child abuse.
Repeated victim of bullying.
Dissociative social disorders and anti-social behaviors.
Trauma-induced psychosis.
What does that sound like?
If you said, “The common background factors of serial killers, spree killers and school shooters everywhere,” you would be correct. You would also be correct if you answered, “The life of Tilikum, a captive orca.”Continue reading “Blackfish: Portrait of a (serial) killer whale”
2 Guns is forgettable junk-food cinema
There is only one thing that offends me in cinema. I mean really, just one thing. I might not like a movie, I may even outright hate it, but the only thing that really offends me is a film that is utterly, completely forgettable—the kind of junk-food filmmaking that consumes time and brain activity and returns absolutely nothing. 2 Guns, the new movie from Icelandic director Baltasar Kormakur (Contraband), is both horribly mediocre and shamelessly pandering, and even just hours after seeing it I can barely remember anything about it except that I’m annoyed that I wasted my time.
This is the worst kind of movie to review because it’s just decent enough on a filmmaking level that I can’t complain about technicalities. This is a proficient film, competently made, that meets all the basic requirements of a visual medium. It isn’t headache-inducing, the action is easy enough to follow, there are no inexplicable camera techniques like Dutch angles or ramping to unnecessarily confuse the eye, and it’s mercilessly light on shaky cam. But nothing about how 2 Guns was made is ever any better than just “good enough”. At every level it’s the barest minimum of functional and no more, and that goes for the acting and writing, too.Continue reading “2 Guns is forgettable junk-food cinema”
The Wolverine ends with a wet fart
It starts out like gangbusters, but the end of The Wolverine becomes an exercise in frustration as everything that made the movie kind of awesome is flushed down the toilet in favor of a stupid, cliché ending because fuck you. The entire third act is just because fuck you. At least Wolverine: Origins had the grace to shit the bed right away.
The movie begins with the bombing of Nagasaki in 1945, when Logan, a POW, saves a young Japanese officer. We then skip ahead to sometime after the events of X3, and Logan is now living on the side of the cliff—not in even in a proper cave, just on the side of a cliff, which made me laugh—listening to classical music and having nightmares within nightmares. He’s become a grizzled homeless survivalist who is engaged in a passive-aggressive territory battle with a bear, and he’s in deep mourning for Jean Grey, who keeps showing up throughout the movie as a ghostly dream vision to berate Logan like goddamned Horrible Lori from The Walking Dead. Of all the various crimes the X-Men franchise(s) have committed over the years, the vicious butchering of Jean Grey is the worst.Continue reading “The Wolverine ends with a wet fart”
Only God Forgives is aggressively unwatchable
After watching Only God Forgives (available On Demand), the second film from Danish director Nicolas Winding Refn starring Ryan Gosling, I messaged Lainey to tell her that unlike Drive, which I enthusiastically loved, I did not enjoy a single second of Forgives. That can’t have been their intention, she said. I don’t know, I said. It was willfully unpleasant. And it is—there is something deliberate about how hard this movie works to make you hate yourself for sitting through it. It’s like a mean-spirited prank that goes on for ninety minutes. And yet, the movie is so well made that it can’t be called bad. It’s one of the prettiest ugly movies in recent memory.Continue reading “Only God Forgives is aggressively unwatchable”