I didn’t have high hopes for The 5th Wave going into it. It looked like a Hunger Games rip-off, with your requisite YA dystopia and obligatory love triangle, and I was preparing myself for the worst. But then the movie began and though The 5th Wave is not a good movie, it’s so fucking DARK and BIZARRE that I kind of came around to it, in the end. I don’t recommend spending your money on it, but should you catch it on cable or Netflix someday, it’s worth watching as an artifact of insanity. It’s the craziest of the YA dystopia movies by far, taking the premise of “child murder as entertainment” to new, un-dreamed-of heights. Continue reading “The 5th Wave is terrible, but also COMPLETELY INSANE”→
An article is running on The Hollywood Reporter’s website today, with comments from members of the Academy of Motion Picture Arts and Sciences, aka, the people who hand out Oscars. You can read the full article here, but the gist is that many members of the Academy are upset at being called racists because once again—and despite having a lot of actual, solid options this year—the Oscar nominations are a virtual white out. Some films made by people of color, like Creed and Straight Outta Compton, only got nominations for the white people involved (Sylvester Stallone and the all-white screenwriting team, respectively). Director Alejandro González Iñárritu is the lone non-white filmmaker nominated, and all twenty acting nominees are white. #OscarsSoWhite is trending once again.
Adam Scott and Toni Collette star in this Christmas-themed horror movie about a demon terrorizing a family suffering through a bad Christmas. It kind of looks like Santa’s Slay, but hopefully more bad-good than that movie, which is disappointingly bad-bad.
Katniss Everdeen is the Girl On Fire, the survivor of multiple brutal televised child murder competitions, and generally a steely, boss bitch. She’s become the figurehead of a revolution, and after spending the previous movie starring in political attack ads, this time she’s out on the streets, trying to commit more murder and watching other people’s political attack ads. She spends most of the final chapter of her story staring vacantly into the middle distance as other people explain things to her, or tell her what to do next, and occasionally she pauses to listen to two unworthy boys she does not seem particularly interested in argue over which one of them should win her at the end of the movie. You know, like a prize. Continue reading “The Hunger Games: Mockingjay Part 2 deflates like a bad souffle”→
Angelina Jolie’s third movie as a director, By The Sea, is like a curio cabinet. The cabinet itself is very well crafted and exquisite to look at, and inside are many interesting things. But really, no matter how pretty it is, all you’re doing is pawing through some junk. The film, which is also written by Jolie, is beautiful to look at and it contains some interesting ideas and turns, but the story is so thin it’s almost non-existent. The result is an uneven film that tests viewers’ patience as holes in the narrative are filled with unhappy stares and beauty shots of the Maltese coastline (standing in for the south of France). Continue reading “Angelina Jolie’s experimental, trying By The Sea”→