Zero Dark Thirty’s muddy waters

ZeroDarkThirty__posterAnd I’m not just talking about the debate surrounding the film’s perceived pro-torture stance. Zero Dark Thirty, Kathryn Bigelow’s follow up to the stellar Hurt Locker, is a film with an obscure center, one that suffers from an unfocused point of view. I’m a huge fan of The Hurt Locker, and was very interested in Bigelow and writer Mark Boal’s next project, which got a lot of attention and heat when what was then a movie about the fruitless task of hunting down Osama bin Laden suddenly became a movie about the successful mission to kill him after May 2011. There’s a lot going on with this movie other than its movie-ness—specifically about the access the CIA granted Bigelow and Boal and how that might have affected the film’s “positive” portrayal of torture as an interrogation tactic—but first we’ve got to talk about the movie itself. Continue reading “Zero Dark Thirty’s muddy waters”