Mother-daughter heartbreak in the colorful, tragic Pin Cushion

Coming of age stories are frequently awkward, often painful, but ultimately, usually, hopeful. Pin Cushion is one of those rare coming of age stories that is not really invested in perpetuating the myth that oddballs and weirdoes emerge from adolescence as interesting and functional adults. It is instead preoccupied with the ways that trauma passes between generations, and that no amount of parental love and acceptance can make up for a lack of same from peers. In Pin Cushion, bullying is not the métier of the playground, but is a cycle that perpetuates into adulthood, and bullies don’t always get their comeuppance (or, if they do, it’s just more trauma for the pile). Pin Cushion’s image of adolescence is a candy-colored darkness. Continue reading “Mother-daughter heartbreak in the colorful, tragic Pin Cushion”

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Easy A: Funny, quality, confusing

It was funny. Like really funny, with genuine laughter, not those half-laugh, half-huff things that so many comedies settle for. In key moments, Easy A went for the gut-buster (such as Olive and Brandon’s fake sexcapades at a party) and the movie achieved big laughs each time it reached for them. Emma Stone (Zombieland) showed off her star stuff—and she has oodles of it—as she carried nearly every frame of the film. Her comedic timing is superb and she can slide from gorgeous to whacky and back so fast as her facial expressions change that I was strongly reminded of Lucille Ball. Continue reading “Easy A: Funny, quality, confusing”