Carrie: On Female Power and Identity

carrie_posterThe remake of Stephen King’s horror classic, Carrie, isn’t a great film, but it is a big upgrade from the 1976 original, directed by Brian De Palma. Despite Sissy Spacek’s performance, the original Carrie is a schlocky bastion of unintentional comedy with a rather repugnant male eroticism injected into it. Yes, the prom scene is exciting, but everything that leads up to it is janky as shit and it hasn’t aged well. Piper Laurie (The Hustler) is a good actress who was horrible in that movie—there’s a reason “they’re all going to laugh at you” is so often parodied: it’s an atrocious, unintentionally hilarious line reading. So while Chloe Grace Moretz’s portrayal of Carrie White does not top Spacek’s—though it has its moments, particularly as Carrie’s confidence and rage grow in equal proportion—Julianne Moore’s work as creepy Jesus-freak mom Margaret is a huge improvement. There is nothing laughable about Moore’s Margaret. She’s abusive and borderline psychotic and it’s deeply unsettling. Continue reading “Carrie: On Female Power and Identity”

Fall Movie Preview: October 2013

October 4


I like Adam Scott (Parks & Rec, Party Down) a lot, and though he’s best known for being part of the ensemble (Step-Brothers) he is fully capable of carrying a project (see also: Party Down). But A.C.O.D. (“adult child of divorce”) isn’t that funny and it largely wastes the very real depth and sorrow he can bring to characters (see also: PARTY DOWN). I knew a guy who went through his parents’ divorce as an adult and it really did a number on him, so this can be rich emotional ground, but this comes off more as a shallow examination of a spoilt person than a look at how divorce can devastate even a grown-ass man.


Continue reading “Fall Movie Preview: October 2013”