Kill The Messenger falls short of Jeremy Renner’s stellar performance

Kill the Messenger posterAfter breaking out with The Hurt Locker, Jeremy Renner took on a series of action roles that saw him join some big-ass franchises, including Mission: Impossible and The Avengers. Over the last couple years, though, he’s been going back to his character-actor roots in projects like The Immigrant, American Hustle, and a not-nearly-lauded-enough guest starring stint on Louie. Now, in Kill The Messenger, he is once again the leading man. I just wish the final effort was more worthy of his talent. Continue reading “Kill The Messenger falls short of Jeremy Renner’s stellar performance”

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Gone Girl: Garbage people doing garbage things

SPOILERS

gone-girl-posterI didn’t really like Gone Girl as a book. I thought the premise was interesting, and I appreciated the antagonistic ending, but I found the alternating narrators to be a gimmick, and I got bored—I skipped over a hundred pages in the middle of the book and never missed a beat—and I didn’t understand why author Gillian Flynn devoted so much ink to Nick Dunne when his deranged, vindictive wife Amy was so much more interesting. It’s not that I think that Flynn is a bad writer—she’s not—or that I was offended somehow by the ending (which I gather many people were), I just thought Gone Girl was a helluva story bogged down by its own gimmicky conceit. Not coincidentally, this is also exactly how I feel about David Fincher’s film adaptation. Continue reading “Gone Girl: Garbage people doing garbage things”

Horns: Putting the “fractured” in fractured fairytale

Horns-Movie-PosterI wanted to like Horns so much. I’ve enjoyed writer/director Alexandre Aja’s pulpy genre output since 2003’s French horror flick High Tension, and enjoyed the hell out of the campy, gore-laden Piranha 3D. Horns looked more ambitious than those films, though, still working the genre tropes that Aja uses so well but expanding into a broader, more fantastical realm, adapted from Joe Hill’s novel. The trailers looked great, I loved the cast (starring Daniel Radcliffe and featuring Max Minghella, Juno Temple, and Joe Anderson), and with a premiere at last year’s Toronto International Film Festival, it seemed like Horns might be something a little bit special. Continue reading “Horns: Putting the “fractured” in fractured fairytale”