The Shakespeare Authorship Debate: One of literature’s toughest questions

The question: Did William Shakespeare of Stratford upon Avon write the plays, as is generally accepted, or did someone else use Shakespeare as a front? This month that question is getting the big-screen treatment in the form of Roland Emmerich’s Anonymous, which posits that Edward de Vere, the 17th Earl of Oxford, is the “real” Shakespeare. (Anyone who believes that someone other than William Shakespeare wrote the canon is an “anti-Stratfordian”, those who support Anonymous’ hero, Edward de Vere, are “Oxfordians”.) In order to not get bogged down with this debate during the Anonymous review, I’m covering it here. Continue reading “The Shakespeare Authorship Debate: One of literature’s toughest questions”

“I don’t care if you like it” as feminism: A Bossypants review

First, in the spirit of full disclosure, let me acknowledge that I am a huge fan of Tina Fey. In my head, she’s like my cool Aunt Tina who gives me advice to help me make Good Life Decisions. I really do find myself asking, What would Tina do? on a near-daily basis. I live my life in such a way that should I ever meet Tina, she wouldn’t be embarrassed by me. She might be the only famous person I would get really star struck by, at this point. So yeah, I love her. Continue reading ““I don’t care if you like it” as feminism: A Bossypants review”

On road movies, unfilmable films, and why reading matters

Recently I read Chuck Klosterman’s collection of essays entitled Eating the Dinosaur, in which there is an essay called “Going Nowhere and Getting There Never” (the original version of this essay was published in The Believer in early 2008). In it Klosterman includes excerpts from Brazilian filmmaker Walter Salles’s (The Motorcycle Diaries, Central Station) “About Road Movies”, an essay originally written for a film festival, then emailed to Klosterman in response to his interview question, and ultimately published in the New York Times Magazine. Klosterman also interviewed Gus Van Sant (Milk, Good Will Hunting), one of the producers of On the Road, which Salles is currently lensing up in Canada. Continue reading “On road movies, unfilmable films, and why reading matters”