TV Recap: Agent Carter 1.1-2

Last night was the two-hour premiere of Marvel Studios’ latest TV venture, Agent Carter, a spin-off series starring Captain America’s main squeeze, Peggy Carter. It’s the second network show for Marvel, following last year’s Agents of SHIELD, and since there are only eight episodes in what is being billed as a “limited series”—aka, “we’re not planning on renewing this unless it’s REALLY popular”—I’ll be recapping episodes each week. Let’s start with this two-hour premiere, which set up Peggy’s post-World War II, post-Captain America life in New York.

agent carter title card

Right off the bat, Agent Carter is a better all-around show than Agents of SHIELD. To be fair to that show, it has improved in its second season, but it still has problems of the bland variety. Agent Carter, however, benefits from its setting of 1946 New York, incorporating some great production and, most especially, costume design for a more distinctive look. This feels like a more individual show with oodles of its own personality, helped along by Hayley Atwell’s tremendously charismatic performance as Peggy. Her character was an immediate fan favorite following her debut in Captain America: The First Avenger, and the show reminds us frequently that Peggy and Cap were Tru Luv 4Eva until Cap crashed his plane in the Arctic (Chris Evans must be pleased with the residuals he will receive for not one extra day’s work).

The plot of Agent Carter revolves around suspicion that has fallen on Howard Stark (Dominic Cooper, reprising the role). Following the war, some of Howard’s “bad babies” have been stolen and are starting to pop up on the black market, and Howard stands accused of treason. So he goes to Peggy, now an agent with the proto-SHIELD Strategic Scientific Reserve, for help. This allows the show to feature a new villain/glowing McGuffin each week while still feeding the larger mystery of who is framing Howard. Based on the first two episodes, the treason plot is WAY more interesting than the villain of the week.

peggy and howard

The main problem I had with these twinned episodes is how extremely plotty they are. Even as a diehard comic book nerd who lives for this shit, I had a hard time following who was doing what and why. At one point, Peggy was rattling off scientific mumbo-jumbo and I realized that I had NO idea what she was talking about. Because the real interest lies in the larger treason mystery, and also character-driven moments, it wouldn’t hurt if the rest of the series lightened up a bit on the McGuffin plots. We don’t really care about that—we want to watch Peggy kick ass and move on from Cap.

How much do you want to bet this is her future husband?
How much do you want to bet this is her future husband?

Even as I got bogged down by the overly complicated plot, though, the character moments were the saving grace of the premiere. Atwell is just fantastic as Peggy, and now starring in her own vehicle we have the opportunity to know her better. In one scene she recounts how it seemed like Cap could shoulder all the world’s problems and has to be gently reminded that no, he did not do that and that everyone needs help. It’s a great scene not only for Peggy’s moment of vulnerability but also that we can see the beginnings of the Steve Rogers Legend being formed. In watching that scene, my mind leapt immediately to the imagined Smithsonian exhibit in The Winter Soldier—Cap wakes up a national icon and it’s because extraordinary people like Peggy Carter put him on a pedestal.


But a goofy radio hour show about Cap’s war exploits does factor into one of the best sequences in the two hours. Agent Carter has the same generic/crappily photographed action problems as Agents of SHIELD, but in one sequence a radio show that depicts Peggy as a useless damsel in distress plays as the real Peggy beats the crap out of some guy. It’s a clever sequence that’s only partially ruined by generic fight choreography (much better is the scene in which Peggy knocks a dude out with a stapler).

To a lesser degree I also had trouble with some of the characterization in Agent Carter. Atwell is fully capable of carrying the show, but her supporting cast is a mixed bag. James D’Arcy is brilliant as Edwin Jarvis, Howard’s butler and the real-life inspiration for Tony Stark’s AI in the Iron Man movies. D’Arcy nails both comedic and dramatic scenes, and having him serve as Peggy’s sidekick is a masterstroke. He’s keeping a secret, but he also seems to really want to help Peggy, and it’s clear that he admires her right away—but he’s the only one. The other men are cartoonish sexist pigs that took me out of the show every time they opened their mouths.


Institutional sexism in post-war America was real—an early scene shows Peggy’s roommate fretting over losing her factory job to returning GIs—but does every single guy Peggy meets have to be a complete asshole? Besides Jarvis, the only other decent dude is a fellow SSR agent, Daniel Sousa (Enver Gjokaj, Dollhouse). It’s not even that they’re rude to her, it’s that without any context other than “because 1946”, it cheapens what could be meaningful character moments.

piggy boss

For instance, Peggy’s boss has to have read her war record, so he would know what she has done and is capable of. Perhaps he treats her poorly because he resents that a woman accomplished more than him during the war. More intriguing is Agent Thompson (Chad Michael Murray), a WWII vet who served in the Pacific Theater. I would love to know what a veteran who didn’t ever see Captain America in action thinks of “the world’s first superhero”. Maybe that’s why he’s such a dick to Peggy—she and Cap were always saving people in Europe, while his buddies died in the Pacific.

piggy co-worker

One area in which Marvel always lets me down is how superheroes impact historical events. They open these doors and then never really go through them. (We’ve had two Thor movies and yet somehow no one has mentioned that the appearance of actual pagan deities/confirmation of intelligent alien life must be wreaking havoc with organized religions.) We know Cap is a national icon, but we don’t have much sense of what that really means outside of a museum. This would be an interesting place to explore how the arrival of superheroes immediately begins to change things in the post-war era.


Overall, though, Agent Carter is a fun show. Peggy Carter remains an engaging heroine, and getting to see how “the love interest” deals with no longer being the love interest is an intriguing premise on its own. And the addition of Human Jarvis to the Marvel Cinematic Universe fills an interesting pocket of Iron Man lore. I would trade a little less plotting for a bit more depth, but this was a satisfactory start for Marvel’s sophomore TV effort.

14 thoughts on “TV Recap: Agent Carter 1.1-2

  1. Sarah

    Enjoyed the show a lot despite the problems you pointed out – should prove a fun 8 episodes. Basically it establishes Hayley Atwell as a super charming star and gives us Enver Gjokaj back on our TVs. I groaned when CMM’s name showed up on the credits, but he wasn’t as obnoxious in the role as I anticipated. Looking forward to the next few weeks.

  2. Agent K

    I agree it was fun overall. Marvel is still noticeably weak in the TV area (I guess we will see about Daredevil) and they REALLY need to loosen the purse strings and spend on a decent fight coordinator and stunt people. Although to be fair the only time I’ve found Marvel’s action truly impressive in the films was CA:Winter Soldier. Black Widow’s Avengers fights are fun but over-choreographed (more acrobatic dancing than a legitimate, tense battle).

    Agents of SHIELD is a fair to OK show that could not be saved by the characters (sorry Coulson!). Agent Carter is (so far) a fair to OK show that I can see being saved by the characters. Atwell and D’Arcy are incredibly appealing.

  3. Agent 73

    I absolutely LOVED this show, didn’t have any *major* problems with it – apart from the fact that Peggy’s lipstick is too purple.
    And I am calling it now – Angie is some kind of operative tasked with staying close to Peggy. She seemed awfully eager to have her move into her building….

    1. Oh, I hope Angie is just a cool modern lady-friend for Peggy. One thing I liked a lot about the first two eps is the “ladies helping ladies” vibe. Not enough of that in the MCU (because there aren’t enough female characters and the ones that are there rarely interact). Also, if Peggy’s lipstick looked purple, you may want to check your TV’s settings. It was a sharp crimson on my set.

      1. Agent 73

        Oh, I really hope Angie will just be a friend to Peggy, but I just got a vibe…plus Fonseca’s ‘Nikita’ past?

        Re: the lipstick – in the flashbacks from Cap 1, the colour was perfect red – I think they have gone with a slightly purple/bluer shade…sorry nitpick!

      2. I’ll have to take a second look. I know they use a specific lipstick just for Peggy, and I didn’t notice a difference, except that the lighting in the movie cuts was really different from the show’s lighting.

      1. Agent 73

        Ugh. People are the worst.
        And yet they hung on with AoS, which STILL isn’t as fun as these 2 episodes of Agent Carter.
        I will continue to hope for more TV Peggy and that the stars will align and Emily Blunt will play Carol Danvers in Captain Marvel.
        [Though I will possibly accept Yvonne Strahovski]

    1. I haven’t confirmed it 100% put I suspect she will be The Wasp. I gather they’ve made her a Janet stand-in, since Janet got written out. (We have Edgar Wright to thank for that, which is why I’m not convinced him leaving the project was the worst thing ever. I don’t know that anyone outside his cult of personality would have really enjoyed his movie.)

      1. Agent 73

        While I really hope we see some Wasp action, from the [admittedly little] we have seen in the trailer; Hope sparring/Hope with gun, I think she will have her own generic action/save the hero scene [similar to the Widow’s in IM2] and any transformation into Wasp will be right at the end of the film.
        Still, I suppose it is Ant-Man’s film – not Wasp’s, and I am fine with that and will see the film anyway not jsut because Corey Stoll is THE SEX.
        Also my friend just told me she had read somewhere that Charlize was in/had talks with Marvel re: Carol – I had not heard that [and it would be amazing] – but is she just giving me fanboy wish casting?

        Finally, I completely agree that Edgar Wright was in retrospect not the best fit fot Ant-Man. I think his particular ‘style’ would have been a little jarring with the rest of the MCU.

  4. Pingback: TV Recap: Agent Carter 1.3 | Cinesnark

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.